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Product Info

Publisher: New Directions

Author: Tennessee Williams

ISBN: 9780811202251

Year: 1966

Format: Paperback

Plays, Classics

27 Wagons Full of Cotton And Other One-Act Plays by
Tennessee Williams

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$ 450.00 mxn

27 Wagons Full of Cotton And Other One-Act Plays by

Tennessee Williams

Summary

The thirteen one-act plays collected in this volume include some of Tennessee Williams's finest and most powerful work.

They are full of the perception of life as it is, and the passion for life as it ought to be, which have made The Glass Menagerie and A Streetcar Named Desire classics of the American theater.

Only one of these plays (The Purification) is written in verse, but in all of them the approach to character is by way of poetic revelation. Whether Williams is writing of derelict roomers in a New Orleans boarding house (The Lady of Larkspur Lotion) or the memories of a venerable traveling salesman (The Last of My Solid Gold Watches) or of delinquent children (This Property is Condemned), his insight into human nature is that of the poet. He can compress the basic meaning of life―its pathos or its tragedy, its bravery or the quality of its love―into one small scene or a few moments of dialogue.

Mr. Williams's views on the role of the little theater in American culture are contained in a stimulating essay, "Something wild...," which serves as an introduction to this collection.

“To a man born without conscience, a soul-stricken man must seem ridiculous. To a criminal, honesty is foolish. You must not forget that a monster is only a variation, and that to a monster the norm is monstrous.”

John Steinbeck

“I knew when I had looked for a long time that I had hardly begun to see.”

Nan Shepard

“What a mistake, above all, it had been to believe that I couldn’t live without him, when for a long time I had not been at all certain that I was alive with him.”

Elena Ferrante

“Reality exists in the human mind, and nowhere else.”

George Orwell

“How short a time a person had to be alive, he thought. How long to be dead.”

Kate Grenville